Tagged: A$AP

DMVicious’ 100 Best Songs of 2013

BestOf2013

It is that time of year when all us music media folk release all those tedious “best of” lists. I could spend a lot of time giving you a little write up on each song, but that would just be a waste of both our time. Instead, here is a Spotify playlist loaded with 100 of the hottest jams 2013 had to offer.

Songs are in no particular order. Put that bad-boy on shuffle and enjoy.

DC to BC presents: Trillectro Music Festival

Trillectro Lineup

Trillectro Music Festival is back, and even bigger than last year. The good folks at DC to BC have put together a stellar lineup of local and national talent to rock the Half Street Fairgrounds, August 17.

Tickets are on sale now. Check out Trillectro.com for more info.

VIDEO: A$AP Rocky – “Wild For the Night (Feat. Skrillex & Birdy Nam Nam)”

A$AP Rocky takes us on a cinematic trip through the Dominican Republic in his new visual for the Skrillex-assisted banger, “Wild For the Night.”

The video gives you an idea of what the DR is really like outside of the resorts and we find out A$AP Rocky is kind of bilingual (?). This song goes super hard and seems like a natural follow-up to Rocky’s smash hit, “Fuckin’ Problems.”

SXSW Re-Cap: The Night That Restored Our Faith in N.Y. Hip-Hop

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Photo gallery after the jump.

The biggest takeaway from this year’s SXSW reaffirmed what we have been hoping for some time: New York hip-hop is not dead. Not even close.

Vice Media’s Viceland–one of SXSW’s larger official venues–was proof positive of that point. On Friday night, the venue hosted a who’s who of New York’s past and present: Flatbush Zombies, A$AP Ferg, Action Bronson, Juelz Santana and Ghostface Killah. The only non-New Yorker on the bill was Detroit’s Danny Brown, but he fit in well with the others.

Flatbush Zombies kicked things off and set the precedent for the rest of the evening. The Brooklynites ripped through their set and ended up spending some quality time rapping from the audience. Not to be outdone, A$AP Ferg and his crew took the stage and immediately launched into the audience to stir up the crowd.

To call Danny Brown’s set a downer would be unfair, but there was a noticeable difference in energy between Brown and the first two acts. With that said, Brown did his thing and kept the crowd with him throughout his set.

After Brown, Action Bronson took the stage and tore that motherfucker down. All the way down. Bronson is a force all by himself (we have been over this), but he brought a whole gang friends that took his show to a whole other level. Roc Marciano, Earl Sweatshirt, Vince Staples, Domo Genesis, Schoolboy Q, RiFF RaFF and several others joined Bronson on stage throughout the set.

In what has become a staple at Bronson’s live shows, the Queens MC strolled all through the venue while performing, “Strictly 4 My Jeep.” After rocking a new Alchemist-produced track with the Odd Future boys, Bronson pulled out a plastic grocery bag full of dime bags and began tossing them into the crowd. Have you ever seen when they throw chum to great whites during Shark Week? Yeah, it looked like that.

Proving yet again that he is focused on being a part of hip-hop’s future, Bronson called Chance the Rapper and several other young-guns to the stage for a cypher that concluded the set.

Juelz Santana had the dubious task of following Action Bronson’s tour de force, which may explain why he took his sweet ass time before getting on stage. Despite a deflating wait between sets, Santana eventually showed up and took us back to high school with tracks like, “Hey Ma,” and “Oh Boy.” After peppering the crowd with some Dip-Set classics and his solo hits, Juelz closed out the set with a new track that gives us hope for his new album.

Finally, the evening’s headliner took the stage. Our only gripe is that Vice should’ve billed it as Wu-Block instead of Ghostface Killah. With Sheek Louch in tow, the New York super group covered material from both the Lox/D-Block and Wu-Tang Clan in addition to a few Ghostface solo tracks.

Despite growing up on Wu-Tang Clan and banging Dip-Set anthems through high-school, it was the new, younger acts that we were really stoked on.

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